The
twelfth issue of YHO was another special edition devoted to the vintage pop
music of the Communist-era Eastern Europe.
The title was borrowed from one of the great Vic Godard songs. And the cover was a still from one of the
dislocated clips from old Soviet films that are available on YouTube. What I love about this shot is the way the
blonde girl could easily be out on the floor at Wigan Casino in its heyday.
This
edition concentrated on the music of the old Soviet Union, but it starts with
Ewa Demarczyk and her remarkable sung Polish poetry. These words strike me as particularly apt: “In
many ways the lack of readily available information about Ewa and all the
artists that have recently made my own odd little world so much more
interesting adds to the appeal. It is the stumbling and fumbling in the dark
that can be such fun. The not having a pre-existing route to follow is
exciting, but that joy can be tempered by a seething resentment at all the
custodians of pop history who have perpetuated the lie that there was little of
cultural interest in terms of pop music to emerge from the Eastern Europe of
the Communist era. This is now so patently untrue. And there are so many
stories surely to tell, theories to explore, and recordings to hear.”
The
contents of this edition of YHO also included:
Ø
Vladimir Vysotsky and Nik Cohn
Ø
Pesnyary
Ø
Marju Kuut
Ø
Muslim Magomaev
Ø
Qaya
Ø
Raimonds Pauls
Ø
Imants Kalnins
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